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“It has some exciting set pieces and important points to make about our ecology, fossil fuels and environmentalism in the 1990s.”Īnd Waterworld has been critically reappraised in recent years, with The Guardian calling it a “cult classic in the making” and Forbes claiming that it is the “biggest box office bomb that wasn’t”.
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What does that tell you about the concept? It is so primordially appealing.”Įven as a film, Waterworld “is not as terrible as some critics claimed”, says Dr Sorcha Ní Fhlainn, a senior lecturer in Film Studies and American Studies at Manchester Metropolitan University. They’ve all had at least three, in some cases seven, movies. “Hundreds of millions of people have been exposed to the whole Waterworld idea. This attraction, which is one of the most popular rides at their locations in Singapore and Japan, too, has generated “billions in revenue” for the studio, according to Rader. With good reason, too, as Waterworld: A Live Sea War Spectacular has been key to Universal Studios theme parks ever since it debuted at the Hollywood site just a few weeks after the film was released. The film’s original screenwriter Peter Rader, who created the post-apocalyptic action adventure set in a future where the polar ice caps have melted and water covers the Earth, tells BBC Culture that Waterworld is actually “one of the most successful movies” in Universal’s vast catalogue. The film that exposed our misogynistic cultureīut 25 years on, Waterworld’s legacy and impact deserve a reappraisal. By the time Waterworld had arrived in the UK just two weeks later, its status as the most expensive film ever made at the time, its well-publicised production problems, average-to-negative reviews, and comparatively poor domestic box office performance had all combined to leave it dead in the water. When Waterworld splashed into US cinemas in July 1995, it did so with a belly-flop.